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Documentary Photographer and Photojournalist based in Japan

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The Great Bonfire of Toba

DOCUMENTARY

The Great Bonfire of Toba

Photography by Thaddeus Pope

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Home >> Documentary >> Matsuri >> The Great Bonfire of Toba

One of the most extraordinary festivals in Japan, Toba Dai Kagaribi (The Great Bonfire of Toba) is a designated National Intangible Folk Cultural Property with roots that can be traced back 1,200 years. The purpose of the festival, which takes place in February at the shrine of Toba Shinmeisha near the city of Nishio in the Chūbu region of Honshū, is to forecast the weather and harvest of the coming year by way of a highly ritualised and potentially dangerous competition between two teams of local men – one from the east side of the Toba River and one from the west. The east is known as Kanchi or “Dry Land” and the west is known as Fukuchi or “Prosperous Land”.

The festival incorporates a commonly held belief in Japan that certain years in a person’s lifetime are inauspicious. These years are known as your yakudoshi – unlucky years. Your unlucky years are 19, 33 and 37 if you are female, and 25, 42 and 61 if you are male. In acknowledgment of the potential danger and misfortune that might befall a person during these years, many Japanese people choose to undergo a ritual purification in the middle of a yakudoshi year, and will often visit temples and shrines to pray for better luck. In the example of Toba Dai Kagaribi, two local 25-year-old men (one from Kanchi and one from Fukuchi) are selected to participate in the festival as shin-otoko, or “holy men”. Being selected as a shin-otoko is considered a great honour, as it is believed that shin-otoko bring good fortune on themselves and others.

With an outer frame made from 60 bamboo poles tied tightly together, and a core filled with huge bundles of sun-dried Japanese pampas grass, each of these highly flammable towers stands approximately 5 metres tall and weighs more than 2 tons.

On the eve of the festival, in keeping with a centuries-old tradition, two enormous torches, known as suzumi, are built at Toba Shinmeisha. A sacred tree is placed at the centre of each suzumi during its construction and 12 ropes representing the 12 months of the year are wrapped around its base. With an outer frame made from 60 bamboo poles tied tightly together, and a core filled with huge bundles of sun-dried Japanese pampas grass, each of these highly flammable towers stands approximately 5 metres tall and weighs more than 2 tons.

The-Great-Bonfire-of-Toba-Japan-Suzumi-Drawing
Diagram of a suzumi

The following day, in accordance with the Shinto practice of ritual purification known as misogi, the shin-otoko and the two teams of local men cleanse themselves of their sins and impurities by washing thoroughly in the sea nearby. Once the ritual of misogi is complete, the men make their way to the shrine of Toba Shinmeisha where they present tamagushi (a form of Shinto offering) and receiving blessings. Later that evening both teams emerge from the shrine wearing traditional festival costumes and head towards the suzumi where further offerings are made for a good harvest. Shortly thereafter, the suzumi are set alight and the teams begin to compete to see which of them can remove the sacred tree and 12 ropes from the burning towers fastest. This difficult task is made all the more challenging by the fact that it must be accomplished by hand, with minimal protection from the intense heat and smoke produced by the massive bonfires.

Once removed from the suzumi, the remains of the sacred tree and the 12 ropes are brought to Toba Shinmeisha by the winning team as an offering. The condition of these salvaged objects is then used to foresee the weather and the quality of the harvest for the coming year.

To view other photo-essays from the “Matsuri” photography project, click here.

All images copyright © Thaddeus Pope. All rights reserved.

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Preparations are made at Toba Shinmeisha Shrine for the ritual purification of misogi
Final preparations are made at Toba Shinmeisha Shrine for the ritual purification of misogi.
Having enjoyed some early morning sake (rice wine), the men emerge from Toba Shinmeisha Shrine wearing their traditional festival loincloths.
Shoes pile up in the entranceway to Toba Shinmeisha Shrine as the men change into festival clothes and traditional split toe boots (jika-tabi).
Festival participants lineup behind the two shin-otoko (pictured centre left and right) who will lead them to the sea for the ritual purification of misogi.
Older participants pass through the torii gate at Toba Shinmeisha Shrine on their way to the sea for misogi.
The shin-otoko lead the men towards the sea while singing songs and drinking sake.
Sake bottles are passed between the men as they make their way towards the sea. The labels on the bottles show a graphic representation of the Toba Fire Festival.
With arms linked together, the men sing songs and drink sake as they make their way to the sea for misogi.
Shinto priests wait for the men to arrive at the beach.
With family and friends looking onwards, the men reach the beach and prepare to receive blessings before entering the sea.
The shin-otoko listens intently to the shinto priests leading the ritual purification process.
Shinto priests from Toba Shinmeisha Shrine lead the ritual purification process known as misogi.
Final prayers are made before the men enter the sea.
After prayers and offerings have been made by the shinto priests, the men march across the sand towards the sea for the ritual purification known as misogi.
In accordance with the Shinto practice of ritual purification known as misogi, the shin-otoko (holy men) and the two teams of local men cleanse themselves of their sins and impurities by washing in the sea.
The men walk into the sea for the ritual purification of misogi.
Having cleansed themselves in the sea, the men make their way back onto the beach.
The two shin-otoko lead the men back to the beach after completing the ritual purification of misogi.
Spectators greet the men as they return to the beach.
After marching into the sea for misogi, a bonfire is made on the beach to help the men warm up.
The men huddle together and smoke cigarettes after the ritual purification ritual of misogi.
To avoid burning down the nearby forest, local firemen use a firehose to soak the trees surrounding the suzumi.
To avoid burning down the nearby forest, local firemen use a firehose to soak the trees surrounding the suzumi.
Two local 25-year-old men – one from Kanchi and one from Fukuchi – are selected to participate in the festival as shin-otoko, or holy men. Being selected as a shin-otoko is considered a great honour, as it is believed that shin-otoko bring good fortune on themselves and others.
The costumes worn by Toba-dai-kagaribi festival participants are made from the thick cotton banners of previous festivals. Because of the catlike appearance of their hoods, the men are often referred to as ‘neko’ (cats) by local townspeople. From the series “The Great Bonfire of Toba”.
With prayer rites finished and offerings for a good harvest made, torches are used to light the giant towers while the two teams wait in anticipation.
The temperature rises as the flames grow larger.
Smoke billows from the suzumi as the two towers of dry pampas grass and bamboo burn brightly against the night sky.
The hunt for the holy trees begins as a group of four teammates attempt to destabilise the structure of the suzumi by shaking it vigorously.
With bundles of burning grass falling on their heads and smoke billowing in their faces, the men violently shake the burning suzumi.
As a large portion of the suzumi collapses, a wall of flames and smoke surrounds one man.
When the heat and smoke becomes too much to bare, the men are forced to jump from their ladders.
After each attempt at the suzumi, the men are splashed with water before repeating the process.
With his costume on fire, one man is forced to jump from the burning suzumi.
Though visibly exhausted by the task at hand, the men continue to shake and tear at the towers.
In an impressive display of courage and teamwork, the men tear at the towering inferno, forcing it apart and weakening its structure.
When the heat and smoke becomes too much to bare, the men are forced to jump from their ladders.
With flames lapping at their faces, the men hurriedly attempt to dismantle the burning bamboo frame of the suzumi.
The air becomes thick with smoke as the structure of the suzumi weakens.
One man is able to partially weaken the suzumi by breaking its bamboo frame with his hands.
In an impressive display of courage and teamwork, the men tear at the towering inferno, forcing it apart and weakening its structure. From the series “The Great Bonfire of Toba”.
Two men are able to tear off a portion of the suzumi.
With the structure of the suzumi compromised, the men are able to use their combined weight and strength to pull it over.
As the suzumi topples onto its side, an enormous wall of fire engulfs the men.
The men pull the burning remains of the holy tree from the suzumi.
The men pull the burning remains of the holy tree from the suzumi.
Where the towers once stood, now only fire remains.
The men remove their masks to reveal faces fatigued by the immense physical effort of the task.
The men remove their masks to reveal faces fatigued by the immense physical effort of the task.
Once the holy trees have been retrieved, they are taken to the Toba-Shinmeisha-shrine as an offering.
Following the event, the shin-otoko are interviewed by teams of local camera crews on the steps of the Toba-Shinmeisha-shrine.
Thaddeus Pope Documentary Photographer Japan

Thaddeus Pope

Documentary Photographer

Based in Japan, Thaddeus Pope is a photographer, videographer and web/print designer with a passion for human-centred visual storytelling. He is available for assignments in Japan and around the world.

If you would like to get in touch, please use the contact form or email info@thadpope.com. Thaddeus can also be found on social media via the following links.

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Filed Under: Documentary, Matsuri, Travel Tagged With: Chubu, Fire Festival, Japan, National Intangible Folk Cultural Property, Thaddeus Pope, The Great Bonfire of Toba, Toba Shinmeisha Shrine

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